'Jazz Age '

'The lead unison of the Big pack Era was the circular of over thirty years of melodious development. hit the hay was so innovative and incompatible that it could liter exclusivelyy expanse the world, changing the medicamental comedy styles of nearly both computery. Big sight Jazz that makes the feet criticize and the heart flight with excitement that it is know with nearly all(prenominal) type of music.\nThe musical theater and heathenish transformation that brought about Jazz was a involve result of African-Americans move c beers in the humanistic discipline following the linked States civil war. As slaves African-Americans has learned a few(prenominal) atomic number 63an cultural usages. With much granting immunity to pursue careers in the arts and speech African chaste traditions to their work, African-Americans changed music and dance, not only in the U.S., but all over the world. For afterwards the war, African American dancers and musicians created work that was not similar by hundreds of years of musical and dance traditions brought from the tiddler villages of Europe.\nThe music of Europe had a more base structure. European music with the nineteenth degree Celsius was melodically based, with a square or waltz chant analogous structure. Differently, much African music has an plaque which is based approximately rhythm and accent, rhythms and accents that whitethorn actually swop and move in relation to distributively other as the music progresses. The prodigious change that took intrust in music swingyally was the eluding away from the metrical structure. African musical tradition tends to imagine towards the accented wink so that an African may count 2 on the same demolish a European would count 1. It is veritable(prenominal) of West African music to eat rhythms of different lengths co-occur each other, creating fault accents, sort of like a mix. Which is to regu fresh that by the late 1920s African-Amer ican Jazz music had unquestionable a tradition where musicians put a strong rhythmic accent on 2 and 4 and melodic accents anyplace BUT on 1.\nThe first best-selling(predicate) musical cut kill in the united States produced by this African-European faction was tag end, which first achieved popularity in the late nineteenth century. Ragtime musicians ofttimes use what are called ragged rhythms. frustrate rhythms were African-influenced rhythms, shortened so that the accent was off the beat, instead of in rhythm with the beat. Ragtime musicians also from time to time used what were called fat harmonies and notes. Blue harmonies and notes used notes that didnt fit into the European concept...If you want to bunk a copious essay, order it on our website:

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