The photographic film China Town, directed by Roman Polanski, is a non-traditional hard-nosed detective film made in the 70s. In the beginning, the film seems like any other detective films where the takeoff booster comes and solves the problems and catches the antagonists. The typical elements of character types are there. J.J. Gittes, the central character play by Jack Nicholson, is a private detective in Los Angeles. Sharing the spotlight is Fay Dunaway playing the femme fatale Evelyn Mulwray. Chinatown has formal elements indicative that it is difference to be in the style of traditional Film Noir hardboiled detective, that as the movie goes, it becomes more apparent that this movie is non like any other detective stories. In this movie, the managing director uses cinematic techniques like camera movement, control of the viewpoint, focus, and level of decimal point to help the earreachs understand what the characters emotion and feelings.
In the ending of the movie China Town, Jake Gittes ends up with nothing. He loses the girl he loves to a bullet; he loses the girl he is trying to nourish to the sinister villain Noah Cross. The last shot of the film leaves the audience with no hope for the future.
Gittes is back in China Town, the posture he has an obvious contempt for, the city that took his ex wifes life. As the camera cranes upward opening the frame, and the crowd of Chinese commonwealth surrounds the scene, Gittes is escorted away, moving to the background. We are left with the impression of watching the crawfish of someone who has just been bested and is going home alone in defeat with nothing but pain. This is a very drear ending, there is no hero getting the girl, or the fail of emotions when the hero has to let the...
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