Friday, November 9, 2012

The Values of Childhood and of the Loss of these Values

He already feels his whiteness slipping, but he can non imagine himself joining the phony serviceman of adults.

The next question is just how successful Holden is in bridging this gap. further on an emotional level, Holden is not successful at all. It is infeasible to imagine him going out and getting a subcontract and getting married and settling down. He is simply as well as much the victim of his own sensitivity and insights about others and himself. On the other hand, he is losing his innocence paginate by page in the book. By the end, however, we do see nearly soft touch that he has learned to care for those whom he has so seriously judged earlier:

About all I know is, I sort of miss everybody I told about. . . . Don't ever tell anybody anything. If you do, you suffer missing everybody (Salinger 214).

This "missing everybody" may not be a reduce that Holden is about to enter a successful line of achievement in the corporate world, but it is certainly a sign that he has begun to awaken to a loving and compassionate collar of valet beings who have lost their childhood innocence, even human beings he seems to judge and even hate. If he could find a way to make a living with much(prenominal) perception and care and compassion and insight---as a writer perhaps?---he could successfully bridge the gap, but at that place is little indication in the book itself that he will be sufficient to do so. For example, his reaction to the attempted homosexual sed


It is too simplistic to say that The Catcher in the rye whisky is mainly an examination of how an individual can live "a true(p) independent life" in a republican mass society. The questions begs the issue of spirituality. What does it mean to be "independent" in America? Economically independent? Socially independent---a hermit? uncomplete alternative would make Holden independent or give him ataraxis of mind. He must learn to live with himself and other stack in a way which will allow him to have got their shortcomings, their human limitations, with compassion. He shows this ability in dealing with the both nuns, for example.
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He is very suspicious of false religion as represented by the undertaker Ossenburger, who Holden pictures praying for "a few more than stiffs" from Jesus (17). But with the nuns, he finds two human beings who rage him by engaging in interesting conversation and not asking him if he were Catholic (112). It is only through some form of spiritual awakening that Holden will be able to find any true independence. He is dependent fundamentally on the suspicious, judgmental frame of mind that he has adopt to protect himself from the pain the adult world inflicts on him. every human being in every modern society---democratic or otherwise---must find his own individual identity. Of course, the early 1950s was a period of stringent conformity, making Holden's search for himself more difficult. Nevertheless, true independence is spiritual, transcending economic, social and historical circumstances, and such independence---glimpsed in its infancy in Holden's compassion and his "missing everybody" (214)---is the only hope for such a sensitive soul as Holden.

In A Farewell to Arms, Hemingway's vitrine Henry finds a code character in his devotee Catherine. Although they serve to help one some other in learning how to exercise "grace under pressure," there are several scenes in which the man learns important lessons from his lover in terms of developing his own philosophy and
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